EnigmA Amiga Run 1996 March/EnigmA AMIGA RUN 05 (1996)(G.R. Edizioni)(IT)[!][issue 1996-03][Skylink CD IV].iso/earcd/patches/im960202.lha/diffs/alternate-versions.list

Text File | 1996-02-09 | 38KB | 757 lines

1c1
< CRC: 0x57059D3C  File: alternate-versions.list  Date: Fri Jan  5 00:00:00 1996
---
> CRC: 0xB035B813  File: alternate-versions.list  Date: Fri Feb  9 00:00:00 1996
2a3,209
> -------------------------------------------------------------------------------
>
>                            ALTERNATE MOVIE VERSIONS
>
>                           Frequently Asked Questions
>
>                    Copyright (C) 1995-1996 Giancarlo Cairella
>
> -------------------------------------------------------------------------------
>
> Compiled by Giancarlo Cairella ([e-mail]), from sources too numerous
> too mention.  Thank-you one and all.
>
>                                INTRODUCTION
>                                ------------
>
> This is a list of movies for which an alternate version exists. For the
> purpose of this document, an "alternate version" is a new version of a movie
> that's different from the one that was originally and widely released in
> theatres.
>
> This list is part of The Internet Movie Database.  See the notes at the end
> for more information.
>
> There are many kinds of alternate versions, the most common of which are:
>
> DIRECTOR'S CUTS/SPECIAL EDITIONS: Contracts under the terms of the
> Hollywood Director's Guild allow about six weeks for a director to assemble
> a cut without studio interference.  This is fully edited and has a
> synchronized sound track; however, it is usually not color-corrected nor
> density-corrected and may not have the final music and effects track.  In
> more recent times, due to an expanding video aftermarket, the term
> director's cut has acquired a popular meaning that implies a finished final
> print, officially prepared by the director or with his consent, and usually
> including scenes not included in the original theatrical release. Many
> director's cuts are re-released in theathers or on video. Examples: "Blade
> Runner", "Aliens", "Close encounters of the third kind".
>
> RESTORED VERSIONS: Classic movies are sometimes re-released (usually many
> years after their original premiere) with never before seen or long-lost
> restored scenes. Examples: "Spartacus", "Lawrence of Arabia", "The Wild
> Bunch".
>
> CENSORSHIP CHANGES: Censorship laws often impose changes or deletions
> before a film can be given a certificate and released. In the U.S.A movies
> are often cut after being submitted to the MPAA in order to avoid a X or NC-17
> rating; sometimes the deleted scenes are restored for the video or laserdisc
> release, or are left intact in the European release. Other countries have
> different censorship standards: U.K. releases routinely cut any scene that
> suggests violence or mishandling of animals (ex. the mouse sequence in "The
> Abyss").
>
> UNAUTHORIZED/UNOFFICIAL VERSIONS: Sometimes a movie is cut or otherwise
> modified from the original version without the consent or the knowledge of
> the filmmakers. A frequent occurrence is when a foreign distributor decides
> to remove scenes to reduce the film's running time in order to get more
> showings per day or to make it more appealing to the local audience, often by
> including a different music score.
>
> TELEVISION VERSIONS: Films, especially R-rated ones, are routinely cut or
> altered before they can be shown on network television or airline planes to
> delete objectionable language and frames or to fit a two-hour time slot.
> These changes are routine, don't necessarily represent alternate versions and
> will _not_ be considered here, unless very extensive. However, TV versions
> which add new footage (ex. "1941"), significantly re-edit or change existing
> material or substitute new scenes (ex. "Basic Instinct") in place of deleted
> sequences will be listed.
>
> Additions and suggestions welcome: if you can confirm or dispute any
> info included in this list, then please do so!  PLEASE be sure that your
> data is consistent with the above guidelines.
>
> An alternate movie version has to be (or to have been) available for public
> viewing: therefore sneak previews or preliminary showings for critics or
> special audiences don't qualify as alternate versions unless these cuts were
> also distributed in theatres (or on video/laserdisc), even if for a short
> time, because otherwise thousands of films would qualify (most american
> studio movies are sneak previewed and then partly re-edited or modified).
>
> Likewise, the simple existence of outtake footage or unused material for
> a film doesn't make necessarily an alternate version: for example, the
> famous "Biggs" sequences removed from "Star Wars" prior to release and the
> discarded music scores by Alex North for "2001: A Space Odissey" or Bernard
> Herrman for "Torn Curtain" have never been used in any released print of
> those movies. Therefore they don't qualify as alternate versions,
> unless/until they are re-released in that form (they might qualify for
> inclusion in the "Trivia" list of the Internet Movie Database, see below).
>
> Finally, "colorized" films don't usually qualify as alternate versions.
>
>                                 DISCLAIMER
>                                 ----------
>
> The data contained in this file has been supplied by numerous sources, many
> of which are anonymous and second- or third-hand.
>
> I will not accept responsibility or liability for any views, claims, rumours
> and/or errors that appears herein.  The views expressed in this file do not
> necessarily agree with my own. The information is presented here in good faith
> for readers' enjoyment and education; however, I will gladly entertain debate
> over whether any specific piece of information should or should not be
> included.
>
>
> The Internet Movie Database consists of the following lists:
>
>  List                 | Maintained by                              | Updated
>  ---------------------|--------------------------------------------|----------
>  Actors               | Col Needham <[e-mail]>             | 02/02/96
>  Actresses            | Col Needham <[e-mail]>             | 02/02/96
>  Alternative Names    | Michel Hafner <[e-mail]>        | 02/02/96
>  Alternative Titles   | Michel Hafner <[e-mail]>        | 02/02/96
>  Alternative Versions | Giancarlo Cairella <[e-mail]>      | 01/05/96
>  Biographies          | Mark Harding <[e-mail]>           | 02/02/96
>  Cast Completion      | Col Needham <[e-mail]>             | 02/02/96
>  Certificates         | Mark Harding <[e-mail]>           | 02/02/96
>  Cinematographers     | Michel Hafner <[e-mail]>        | 02/02/96
>  Color Information    | Mark Harding <[e-mail]>           | 02/02/96
>  Composers            | Michel Hafner <[e-mail]>        | 02/02/96
>  Costume Designers    | Harald Mayr <[e-mail]>       | 02/02/96
>  Countries            | Mark Harding <[e-mail]>           | 02/02/96
>  Crazy Credits        | Mark Harding <[e-mail]>           | 02/02/96
>  Directors            | Col Needham <[e-mail]>             | 02/02/96
>  Editors              | Harald Mayr <[e-mail]>       | 02/02/96
>  Genres               | Colin Tinto <[e-mail]>            | 02/02/96
>  Goofs                | Murray Chapman <[e-mail]>        | 12/15/95
>  ISO AKA Titles       | Peter Simeon <[e-mail]>             | 02/02/96
>  Laser Discs          | Peter Simeon <[e-mail]>             | 02/02/96
>  Literature           | Joachim Polzer <[e-mail]>      | 02/02/96
>  Locations            | Rob Hartill <[e-mail]>            | 02/02/96
>  Misc. Filmography    | Col Needham <[e-mail]>             | 02/02/96
>  Movie Links          | Col Needham <[e-mail]>             | 02/02/96
>  Movies               | Michel Hafner <[e-mail]>        | 02/02/96
>  MPAA Ratings Reasons | Mark Harding <[e-mail]>           | 10/06/95
>  Plot Summaries       | Colin Tinto <[e-mail]>            | 02/02/96
>  Producers            | Andre Bernhardt <[e-mail]> | 02/02/96
>  Production Companies | Rob Hartill <[e-mail]>            | 02/02/96
>  Production Designers | Harald Mayr <[e-mail]>       | 02/02/96
>  Quotes               | Bob Glickstein <[e-mail]>           | 01/05/96
>  Ratings              | Col Needham <[e-mail]>             | 02/02/96
>  Release Dates        | Mark Harding <[e-mail]>           | 02/02/96
>  Running Times        | Mark Harding <[e-mail]>           | 02/02/96
>  Sound Mix            | Mark Harding <[e-mail]>           | 02/02/96
>  Soundtracks          | Ron Higgins <[e-mail]>     | 02/02/96
>  Tag Lines            | Rob Hartill <[e-mail]>            | 02/02/96
>  Technical Info       | Joachim Polzer <[e-mail]>      | 02/02/96
>  Trivia               | Murray Chapman <[e-mail]>        | 02/02/96
>  Writers              | Jon Reeves <[e-mail]>            | 02/02/96
>  -----------------------------------------------------------------------------
>
>   ftp.cathouse.org  in  pub/cathouse/movies/database
>
>   ftp.funet.fi  in  pub/culture/tv+film/database
>
>   ftp.fu-berlin.de  in  pub/misc/movies/database
>
> SEARCHING THE DATABASE
> ======================
>
> The movie database frequently asked questions list contains more information
> on the whole movie database project. For a copy send an e-mail message with
> the subject "HELP FAQ" to <[e-mail]>. Here is a summary of the
> ways to access the database:
>
> (1) e-mail interface
>
>     For details send a message with the subject HELP to <[e-mail]>
>
> (2) WWW interface
>
>     The Internet Movie Database is available over the WWW (World Wide Web).
>     There are numerous WWW clients (browsers) available for almost every
>     system. e.g.
>
>         NetScape (X, Windows, Mac)      ftp.mcom.com
>         Mosaic   (X, Windows, Mac)      ftp.ncsa.uiuc.edu   /Web
>         lynx     (vt100 terminal)       ftp.wustl.edu       /packages/www/lynx
>
>     Using a WWW client, open one of the following URLs.
>
>         http://www.cs.cf.ac.uk/Movies/welcome.html           (UK)
>         http://rte66.com/Movies/welcome.html                 (USA)
>         http://www.msstate.edu/Movies/welcome.html           (USA)
>         http://www.leo.org/Movies/welcome.html               (Germany)
>         http://ballet.cit.gu.edu.au/Movies/welcome.html      (Australia)
>
>     See the comp.infosystems.www.browsers.* newsgroup heirarchy for more info
>     on the WWW and discussion on availability of browsers for your system.
>
> (3) local installation (Unix/Amiga)
>
>     The movie database package enables you to install the data locally and
>     provides a variety of search tools. It is available via anonymous FTP:
>
>   ftp.cathouse.org  in  /pub/cathouse/movies/database/tools/moviedb-3.2d.tar.gz
>
>   ftp.funet.fi  in  /pub/culture/tv+film/database/tools/moviedb-3.2d.tar.gz
>
>   ftp.fu-berlin.de  in  /pub/misc/movies/database/tools/moviedb-3.2d.tar.gz
>
>     see the README file in the same directories for more information. The
>     Amiga version is in the file imdb3_1_Amiga.lha
>
> (4) local installation (MS-DOS)
>
>     The CineBASE program provides an MS-DOS interface to the database and is
>     also available via anonymous FTP:
4c211
< -------------------------------------------------------------------------------
---
>      ftp.cathouse.org  in  /pub/cathouse/movies/database/tools/cb152.arj
6c213
<                            ALTERNATE MOVIE VERSIONS
---
>      ftp.funet.fi  in  /pub/culture/tv+film/database/tools/msdos/cb152.arj
8c215,218
<                           Frequently Asked Questions
---
>      ftp.fu-berlin.de  in  pub/misc/movies/database/tools/cb152.arj
>
>     (note: preloaded database files for CineBASE are available from the
>       ftp.funet.fi site in the same directory as the program archive)
10,219d219
<                    Copyright (C) 1995-1996 Giancarlo Cairella
<
< -------------------------------------------------------------------------------
<
< Compiled by Giancarlo Cairella ([e-mail]), from sources too numerous
< too mention.  Thank-you one and all.
<
<                                INTRODUCTION
<                                ------------
<
< This is a list of movies for which an alternate version exists. For the
< purpose of this document, an "alternate version" is a new version of a movie
< that's different from the one that was originally and widely released in
< theatres.
<
< This list is part of The Internet Movie Database.  See the notes at the end
< for more information.
<
< There are many kinds of alternate versions, the most common of which are:
<
< DIRECTOR'S CUTS/SPECIAL EDITIONS: Contracts under the terms of the
< Hollywood Director's Guild allow about six weeks for a director to assemble
< a cut without studio interference.  This is fully edited and has a
< synchronized sound track; however, it is usually not color-corrected nor
< density-corrected and may not have the final music and effects track.  In
< more recent times, due to an expanding video aftermarket, the term
< director's cut has acquired a popular meaning that implies a finished final
< print, officially prepared by the director or with his consent, and usually
< including scenes not included in the original theatrical release. Many
< director's cuts are re-released in theathers or on video. Examples: "Blade
< Runner", "Aliens", "Close encounters of the third kind".
<
< RESTORED VERSIONS: Classic movies are sometimes re-released (usually many
< years after their original premiere) with never before seen or long-lost
< restored scenes. Examples: "Spartacus", "Lawrence of Arabia", "The Wild
< Bunch".
<
< CENSORSHIP CHANGES: Censorship laws often impose changes or deletions
< before a film can be given a certificate and released. In the U.S.A movies
< are often cut after being submitted to the MPAA in order to avoid a X or NC-17
< rating; sometimes the deleted scenes are restored for the video or laserdisc
< release, or are left intact in the European release. Other countries have
< different censorship standards: U.K. releases routinely cut any scene that
< suggests violence or mishandling of animals (ex. the mouse sequence in "The
< Abyss").
<
< UNAUTHORIZED/UNOFFICIAL VERSIONS: Sometimes a movie is cut or otherwise
< modified from the original version without the consent or the knowledge of
< the filmmakers. A frequent occurrence is when a foreign distributor decides
< to remove scenes to reduce the film's running time in order to get more
< showings per day or to make it more appealing to the local audience, often by
< including a different music score.
<
< TELEVISION VERSIONS: Films, especially R-rated ones, are routinely cut or
< altered before they can be shown on network television or airline planes to
< delete objectionable language and frames or to fit a two-hour time slot.
< These changes are routine, don't necessarily represent alternate versions and
< will _not_ be considered here, unless very extensive. However, TV versions
< which add new footage (ex. "1941"), significantly re-edit or change existing
< material or substitute new scenes (ex. "Basic Instinct") in place of deleted
< sequences will be listed.
<
< Additions and suggestions welcome: if you can confirm or dispute any
< info included in this list, then please do so!  PLEASE be sure that your
< data is consistent with the above guidelines.
<
< An alternate movie version has to be (or to have been) available for public
< viewing: therefore sneak previews or press release preliminary showings
< don't qualify as alternate versions unless these cuts were also distributed
< in theatres (or on video/laserdisc), even if for a short time, because
< otherwise thousands of films would qualify (most american movies are sneak
< previewed and then partly re-edited or modified).
<
< Likewise, the simple existence of outtake footage or unused material for
< a film doesn't make necessarily an alternate version: for example, the
< famous "Biggs" sequences removed from "Star Wars" prior to release and the
< discarded music scores by Alex North for "2001: A Space Odissey" or Bernard
< Herrman for "Torn Curtain" have never been used in any released print of
< those movies. Therefore they don't qualify as alternate versions,
< unless/until they are re-released in that form.
<
< Finally, "colorized" films don't usually qualify as alternate versions.
<
<                                 DISCLAIMER
<                                 ----------
<
< The data contained in this file has been supplied by numerous sources, many
< of which are anonymous and second- or third-hand.
<
< I will not accept responsibility or liability for any views, claims, rumours
< and/or errors that appears herein.  The views expressed in this file do not
< necessarily agree with my own. The information is presented here in good faith
< for readers' enjoyment and education; however, I will gladly entertain debate
< over whether any specific piece of information should or should not be
< included.
<
<
< The Internet Movie Database consists of the following lists:
<
<  List                 | Maintained by                              | Updated
<  ---------------------|--------------------------------------------|----------
<  Actors               | Col Needham <[e-mail]>             | 12/29/95
<  Actresses            | Col Needham <[e-mail]>             | 12/29/95
<  Alternative Names    | Michel Hafner <[e-mail]>        | 12/29/95
<  Alternative Titles   | Michel Hafner <[e-mail]>        | 12/29/95
<  Alternative Versions | Giancarlo Cairella <[e-mail]>      | 12/01/95
<  Biographies          | Mark Harding <[e-mail]>           | 12/29/95
<  Cast Completion      | Col Needham <[e-mail]>             | 12/29/95
<  Certificates         | Mark Harding <[e-mail]>           | 12/29/95
<  Cinematographers     | Michel Hafner <[e-mail]>        | 12/29/95
<  Color Information    | Mark Harding <[e-mail]>           | 12/29/95
<  Composers            | Michel Hafner <[e-mail]>        | 12/29/95
<  Costume Designers    | Harald Mayr <[e-mail]>       | 12/29/95
<  Countries            | Mark Harding <[e-mail]>           | 12/29/95
<  Crazy Credits        | Mark Harding <[e-mail]>           | 12/22/95
<  Directors            | Col Needham <[e-mail]>             | 12/29/95
<  Editors              | Harald Mayr <[e-mail]>       | 12/29/95
<  Genres               | Colin Tinto <[e-mail]>            | 12/22/95
<  Goofs                | Murray Chapman <[e-mail]>        | 12/15/95
<  ISO AKA Titles       | Peter Simeon <[e-mail]>             | 10/27/95
<  Laser Discs          | Peter Simeon <[e-mail]>             | 12/29/95
<  Literature           | Joachim Polzer <[e-mail]>      | 12/01/95
<  Locations            | Rob Hartill <[e-mail]>            | 12/29/95
<  Misc. Filmography    | Col Needham <[e-mail]>             | 12/29/95
<  Movie Links          | Col Needham <[e-mail]>             | 12/29/95
<  Movies               | Michel Hafner <[e-mail]>        | 12/29/95
<  MPAA Ratings Reasons | Mark Harding <[e-mail]>           | 10/06/95
<  Plot Summaries       | Colin Tinto <[e-mail]>            | 12/22/95
<  Producers            | Andre Bernhardt <[e-mail]> | 12/22/95
<  Production Companies | Rob Hartill <[e-mail]>            | 12/29/95
<  Production Designers | Harald Mayr <[e-mail]>       | 12/29/95
<  Quotes               | Bob Glickstein <[e-mail]>           | 12/15/95
<  Ratings              | Col Needham <[e-mail]>             | 12/29/95
<  Release Dates        | Mark Harding <[e-mail]>           | 12/29/95
<  Running Times        | Mark Harding <[e-mail]>           | 12/29/95
<  Sound Mix            | Mark Harding <[e-mail]>           | 12/29/95
<  Soundtracks          | Ron Higgins <[e-mail]>     | 12/29/95
<  Tag Lines            | Rob Hartill <[e-mail]>            | 12/29/95
<  Technical Info       | Joachim Polzer <[e-mail]>      | 12/01/95
<  Trivia               | Murray Chapman <[e-mail]>        | 12/15/95
<  Writers              | Jon Reeves <[e-mail]>            | 12/15/95
<  -----------------------------------------------------------------------------
<
<   ftp.cathouse.org  in  pub/cathouse/movies/database
<
<   ftp.funet.fi  in  pub/culture/tv+film/database
<
<   ftp.fu-berlin.de  in  pub/misc/movies/database
<
< SEARCHING THE DATABASE
< ======================
<
< The movie database frequently asked questions list contains more information
< on the whole movie database project. For a copy send an e-mail message with
< the subject "HELP FAQ" to <[e-mail]>. Here is a summary of the
< ways to access the database:
<
< (1) e-mail interface
<
<     For details send a message with the subject HELP to <[e-mail]>
<
< (2) WWW interface
<
<     The Internet Movie Database is available over the WWW (World Wide Web).
<     There are numerous WWW clients (browsers) available for almost every
<     system. e.g.
<
<         NetScape (X, Windows, Mac)      ftp.mcom.com
<         Mosaic   (X, Windows, Mac)      ftp.ncsa.uiuc.edu   /Web
<         lynx     (vt100 terminal)       ftp.wustl.edu       /packages/www/lynx
<
<     Using a WWW client, open one of the following URLs.
<
<         http://www.cs.cf.ac.uk/Movies/welcome.html           (UK)
<         http://rte66.com/Movies/welcome.html                 (USA)
<         http://www.msstate.edu/Movies/welcome.html           (USA)
<         http://www.leo.org/Movies/welcome.html               (Germany)
<         http://ballet.cit.gu.edu.au/Movies/welcome.html      (Australia)
<
<     See the comp.infosystems.www.browsers.* newsgroup heirarchy for more info
<     on the WWW and discussion on availability of browsers for your system.
<
< (3) local installation (Unix/Amiga)
<
<     The movie database package enables you to install the data locally and
<     provides a variety of search tools. It is available via anonymous FTP:
<
<   ftp.cathouse.org  in  /pub/cathouse/movies/database/tools/moviedb-3.2d.tar.gz
<
<   ftp.funet.fi  in  /pub/culture/tv+film/database/tools/moviedb-3.2d.tar.gz
<
<   ftp.fu-berlin.de  in  /pub/misc/movies/database/tools/moviedb-3.2d.tar.gz
<
<     see the README file in the same directories for more information. The
<     Amiga version is in the file imdb3_1_Amiga.lha
<
< (4) local installation (MS-DOS)
<
<     The CineBASE program provides an MS-DOS interface to the database and is
<     also available via anonymous FTP:
<
<      ftp.cathouse.org  in  /pub/cathouse/movies/database/tools/cb152.arj
<
<      ftp.funet.fi  in  /pub/culture/tv+film/database/tools/msdos/cb152.arj
<
<      ftp.fu-berlin.de  in  pub/misc/movies/database/tools/cb152.arj
<
<     (note: preloaded database files for CineBASE are available from the
<       ftp.funet.fi site in the same directory as the program archive)
<
889,891d888
< # Chronos (1993)
< - Some explicit nudity was added in the US video release.
<
1031a1029,1031
> # Cronos (1993)
> - Some explicit nudity was added in the US video release.
>
1040,1044d1039
< # Curse of the Demon (1957)
< - Original British version, titled "Night of the Demon" is 12 minutes
<   longer than the US release, titled "Curse of the Demon"; the
<   appearance of the demon in the ending was added for the US version.
<
1080,1084d1074
< # Desert Attack (1960)
< - Original British version, "Ice Cold in Alex", runs 132 minutes. US
<   distributor shortened the film to 79 minutes and released it as "Desert
<   Attack".
<
1357a1348,1351
> - The original, European, version ends with Jaques swimming off with the
>   dolphin, after having reached a depth where he can not survive. In the
>   American version, a happier ending was added, where the dolphin takes
>   Jacques to the surface.
1362c1356
< # Gremlins II: The New Batch (1990)
---
> # Gremlins 2: The New Batch (1990)
1421a1416,1420
> # Ice Cold in Alex (1960)
> - Original British version, "Ice Cold in Alex", runs 132 minutes. US
>   distributor shortened the film to 79 minutes and released it as "Desert
>   Attack".
>
1533a1533,1544
> # Kiss Me Kate (1953)
> - Originally filmed in 3-D (which explains why characters are constantly
>   throwing things directly at the camera) -- rumor has it that there are still
>   a 3-D print or two floating around.
>
> # Koroshi (1966) (TV)
> - This film was originally conceived as part of the fourth season of "Secret
>   Agent".  However, this was the first episode of the season and Patrick
>   McGoohan quit shortly after filming it.  Thus it was decided to package a
>   double-episode from a TV show as a full-length movie. Patrick McGoohan quit
>   "Secret Agent" to create "The Prisoner".
>
1588a1600,1603
> # Matter of Life and Death, A (1946)
> - The US release was cut to avoid showing the naked shepherd boy in
>   the sand dunes.
>
1619a1635,1639
> # Night of the Demon (1957)
> - Original British version, titled "Night of the Demon" is 12 minutes
>   longer than the US release, titled "Curse of the Demon"; the
>   appearance of the demon in the ending was added for the US version.
>
1648a1669,1677
> # Pat Garrett and Billy the Kid (1973)
> - For its original release the film was massively recut by the studio
>   without the director's approval.  Subsequently the editor, Roger
>   Spottiswoode, restored it in a manner closer to Peckinpah's intentions.
>   The Peckinpah/Spottiswoode version introduces several scenes not in the
>   original release, most notably a framing narrative showing Garrett's death
>   twenty-five years later; it also removes the song "Knocking on Heaven's
>   Door" from the Dylan soundtrack at the death of Sheriff Baker.
>
1734c1763
< # Regle du Jeu, La (1939)
---
> # Regle du jeu, La (1939)
1805a1835,1838
> # Sign of the Cross, The (1932)
> - Re-released in 1944, with some cuts (sex and sadism scenes) and preceded
>   by a nine minute prologue, set in present time with a WWII theme.
>
2047a2081,2084
> # Wedding, A (1978)
> - The credits in the german version have a completely different order
>   compared to the original release.
>
2059,2174c2096,2212
<
<                                     -----
<                                     NOTES
<                                     -----
<
< SUBMITTING NEW DATA
< -------------------
<
< Submissions are made via The Internet Movie Database mailserver:
<
<   Address: [e-mail]
<   Subject: ADD
<   VERSIONS
<   # Movie Name, The
<   - Spanish version substitutes different footage for the scene where
<   - 'Firstname Lastname' (qv) falls headfirst into a meat grinder.
<
<   # Second Movie, A (1900) (TV)
<   - blah blah blah
<   - blah blah blah blah blah
<   END
<
< Full details on the "ADD" command are available by sending a mail message
< with subject "HELP ADD FULL" to [e-mail].
<
< Corrections can be made by using the keyword "CORRECT" instead of "VERSIONS".
<
< THANKS
< ------
<                 Col Needham ([e-mail])
<                 E.W.C. de Vos ([e-mail])
<                 David Cowen ([e-mail])
<
<                              Special thanks to
<                     Murray Chapman ([e-mail])
<                     for the use of his Movie Trivia List
<                        introduction, data and notes.
<
<
<
< DISTRIBUTION POLICY
< -------------------
<
< This file is Copyright (c) 1995-1996 by Giancarlo Cairella. All rights
< reserved.
<
< This file is part of the Internet Movie Database. The database is an
< international volunteer effort whose principal objective is to provide useful
< and up to date movie information *freely* available on-line, across as many
< systems and platforms as possible. The Internet Movie Database Team can be
< reached via e-mail at <[e-mail]> and are happy to discuss
< the implications of and exceptions to this license.
<
< All data and software released by the Internet Movie Database Team is freely
< available to anyone within certain limitations described below. You are
< encouraged to quote subsets of the database in USENET articles, movie related
< FAQs, magazine articles etc. We do ask, however, that if appropriate, you make
< reference to the source of the data and provide a pointer to database for the
< benefit of the reader.
<
< Permission is granted by the copyright holder to allow free distribution of
< this file and any other part of the Internet Movie Database in an ELECTRONIC
< FORM ONLY, providing the following conditions are met:
<
<  (1) NO FEE OF ANY KIND (however indirect), can be charged for its
<      distribution. If this file is being stored for later distribution to
<      anyone that can be seen as a customer to yourself or your company /
<      organization YOU MUST contact the Internet Movie Database Team for
<      permission.
<
<  (2) Each of the database files may be distributed individually but only in
<      an unaltered form. All the header and trailer information (including
<      this notice and the details on how to access the database) must remain
<      intact.
<
<  (3) Specifically the files may NOT be used to construct any kind of on-line
<      database (except for individual personal use). Clearance for ALL such
<      on-line data resorces must be requested from the Internet Movie Database
<      Team. This is to enable us to maintain an up to date list of all such
<      sites. Clearance will be granted provided access to said database is
<      itself entirely free from ANY fees.
<
<  (4) In addition, copies of the movie database frequently asked questions list
<      and additions guide must be made available in the same area / by the same
<      method as the other database files.
<
<  (5) CD-ROM distribution is prohibited without written permission from the
<      Internet Movie Database Team (see below for an e-mail contact).
<
< Distribution by e-mail, BBS and internet systems is positively encouraged
< within these limitations.
<
< The files and software which make up the movie database may be uploaded to
< commercial BBS systems providing that the above conditions are met and no
< *additional* fees are applied above the standard connect time or downloading
< charges.
<
< This copyright notice has been designed to ensure that the voluntary time
< and effort of the Internet Movie Database Team and database users, is not used
< for financial gain by those who have contributed nothing or little to its
< growth or success. The changing nature of the Internet towards more commercial
< uses has forced us to produce this statement. Please do not be discouraged
< from submitting additions to the database as a result of this policy. If you
< need further explanation please contact the team at the address given below.
<
< If you are in doubt as to whether this copyright notice prevents you from
< distributing the database to others, you should contact the Internet Movie
< Database Team by e-mail at <[e-mail]>.
<
< --
< Giancarlo Cairella, L'Agora' Srl (Milano, Italy) - E-mail: [e-mail]
< Web Home Page: <http://www.well.com/user/vertigo/>
<                             "Wenn ist das Nunstuck git und Slotermeyer?
<                              Ja! Beiherhund das Oder die Flipperwaldt gersput!"
<                                                                 (Monty Python)
<
---
>
>                                     -----
>                                     NOTES
>                                     -----
>
> SUBMITTING NEW DATA
> -------------------
>
> Submissions are made via The Internet Movie Database mailserver:
>
>   Address: [e-mail]
>   Subject: ADD
>   VERSIONS
>   # Movie Name, The (1945)
>   - Spanish version substitutes different footage for the scene where
>     'Firstname Lastname' (qv) falls headfirst into a meat grinder.
>
>   # Second Movie, A (1900) (TV)
>   - blah blah blah
>   - blah blah blah blah blah
>   END
>
> Full details on the "ADD" command are available by sending a mail message
> with subject "HELP ADD FULL" to [e-mail].
>
> Corrections can be made by using the keyword "CORRECT" instead of "VERSIONS".
>
> THANKS
> ------
>
>                 Col Needham ([e-mail])
>                 E.W.C. de Vos ([e-mail])
>                 David Cowen ([e-mail])
>
>                              Special thanks to
>                     Murray Chapman ([e-mail])
>                     for the use of his Movie Trivia List
>                        introduction, data and notes.
>
>
>
> DISTRIBUTION POLICY
> -------------------
>
> This file is Copyright (c) 1995-1996 by Giancarlo Cairella. All rights
> reserved.
>
> This file is part of the Internet Movie Database. The database is an
> international volunteer effort whose principal objective is to provide
> useful and up to date movie information *freely* available on-line, across
> as many systems and platforms as possible. The Internet Movie Database Team
> can be reached via e-mail at <[e-mail]> and are happy to
> discuss the implications of and exceptions to this license. All data and
> software released by the Internet Movie Database Team is freely available to
> anyone within certain limitations described below. You are encouraged to
> quote subsets of the database in USENET articles, movie related FAQs,
> magazine articles etc. We do ask, however, that if appropriate, you make
> reference to the source of the data and provide a pointer to database for
> the benefit of the reader. Permission is granted by the copyright holder to
> allow free distribution of this file and any other part of the Internet
> Movie Database in an ELECTRONIC FORM ONLY, providing the following
> conditions are met:
>
>  (1) NO FEE OF ANY KIND (however indirect), can be charged for its
>      distribution. If this file is being stored for later distribution to
>      anyone that can be seen as a customer to yourself or your company /
>      organization YOU MUST contact the Internet Movie Database Team for
>      permission.
>
>  (2) Each of the database files may be distributed individually but only in
>      an unaltered form. All the header and trailer information (including
>      this notice and the details on how to access the database) must remain
>      intact.
>
>  (3) Specifically the files may NOT be used to construct any kind of on-line
>      database (except for individual personal use). Clearance for ALL such
>      on-line data resorces must be requested from the Internet Movie Database
>      Team. This is to enable us to maintain an up to date list of all such
>      sites. Clearance will be granted provided access to said database is
>      itself entirely free from ANY fees.
>
>  (4) In addition, copies of the movie database frequently asked questions list
>      and additions guide must be made available in the same area / by the same
>      method as the other database files.
>
>  (5) CD-ROM distribution is prohibited without written permission from the
>      Internet Movie Database Team (see below for an e-mail contact).
>
> Distribution by e-mail, BBS and internet systems is positively encouraged
> within these limitations.
>
> The files and software which make up the movie database may be uploaded to
> commercial BBS systems providing that the above conditions are met and no
> *additional* fees are applied above the standard connect time or downloading
> charges.
>
> This copyright notice has been designed to ensure that the voluntary time
> and effort of the Internet Movie Database Team and database users, is not
> used for financial gain by those who have contributed nothing or little to
> its growth or success. The changing nature of the Internet towards more
> commercial uses has forced us to produce this statement. Please do not be
> discouraged from submitting additions to the database as a result of this
> policy. If you need further explanation please contact the team at the
> address given below.
>
> If you are in doubt as to whether this copyright notice prevents you from
> distributing the database to others, you should contact the Internet Movie
> Database Team by e-mail at <[e-mail]>.
>
>
> --
> Giancarlo Cairella, L'Agora' Srl (Milano, Italy) - E-mail: [e-mail]
> Web Home Page: <http://www.well.com/user/vertigo/>
>                             "Wenn ist das Nunstuck git und Slotermeyer?
>                              Ja! Beiherhund das Oder die Flipperwaldt gersput!"
>                                                                 (Monty Python)
>